The more I dig into creation and learn of the vibrational nature of the material world, the more it becomes apparent that what we say and how we say it is far more important than it would seem.
The more we get into Quantum Mechanics, the more it becomes apparent that “vibration” is the base substance of everything. Not simple “vibration” in a longitudinal fashion or the compression waves of sound (which actually occur in frequencies well outside of normal “hearing”), but a far more complex form of energy motion.
This complex “wave” is toroidal in shape, with bidirectional tortional activity supplemented with conical projections from the “hole” of the torus in both directions. Even this complex form may not be sufficient to describe the “shape” of the energy, but it is a start.
Sounds produce energy of this form, with the exact shape being dependent on the sound being made. This shape is also influenced by the thought energy behind it.
Every time you speak you put out creative energy.
The sounds which make up a word have creative meaning which may be completely in opposition to what you THINK the words you are using mean. We can spend all day rabbit holing whether this is by design and if so by who, but without regard for that it is still paramount that we learn to align the creative sounds of our speech with the creative intent behind our words. Failure to do so leaves us open to countering our own creative power by the very sounds we use to express our intent.
The concept combines etymology (the study of word origins) with grammar and esoteric concepts and together it is known as “Etymology Grammatica Esoterica”. There are those who think (myself included) that the more ancient of language you can drill down to, the closer to the creative meaning behind the sounds you can get.
Many in Esoteric circles lean towards Hebrew as being an “ancient language”. In reality, it only goes back about 3,000 years which is far from “ancient”. Even Sumerian is only attributed to go back 5,000 years, which is not a whole lot older than Hebrew. It is however considered by most to be the oldest known human language.
The writings we have in Sumerian are mostly in Cuneiform, which is a writing system consisting of marks readily made in soft clay with a simple stylus. The individual “characters” of Cuneiform are mostly syllabic in nature, meaning each symbol represents a syllable or a particular sound. Meanings assigned to the sounds depend on the actual language being represented, and here is were hints as to the creative meaning of the sounds can be found.
This is an area of study worthy of some time, and my intent is to pursue this as I can to further my understanding of the creative power contained within the sounds of speech.